my story
As a child, I wanted to be a wizard. I was fascinated by the mysteries of existence and the possibility of touching something beyond the visible world. It became my search, my lifeline.
Years later, after studying philosophy and immersing myself in the spiritual and musical traditions of India and Brazil, I began to understand more and more that the real magic lays not in extraordinary powers a person wields individually, but in our union, in the devotion, humility and love that open up our sense of interconnectedness.
the magic of belonging
I find music is the most universal and direct way of exploring the great mystery and sharing it with others.
searching for real magic
As a child, I wanted to be a wizard. I was endlessly curious about who we are, why we’re here and what lies beneath the surface of things. My mum stitched for me a robe with golden moons and stars, I always held my wand and I even learned a few magic tricks, imagining that I might find what I was looking for through extraordinary powers. But the fascination soon gave way to disappointment. The magic I was searching for clearly wasn’t about impressing others. It was something more fundamental.
When I was a teenager, I began to experience it through music, singing and moments of profound connection with nature. I studied philosophy, hoping to approach life’s great questions through thought and reason, but I gradually felt the need to explore them through direct experience, through the body, through sound and through a different kind of listening.
Yoga opened that door. And music became for me the deepest ways of walking through life.
learning to listen
Between 2014 and 2020, after a long search through academic philosophy and independent music between Madrid and Paris, I moved entirely to live and study in I N D I A, immersing myself in Dhrupad, the hindustani classical vocal tradition. Under the guidance of the Gundecha Brothers, I entered a world shaped by discipline, repetition and the patient refinement of listening. Mantra and Nāda Yoga deepened my understanding of sound as both a musical art and a contemplative practice.
India remains a living thread in my life. I continue to return, learn from traditional teachers and explore the intricate relationship between voice, rhythm, silence and presence, including my ongoing study of konnakol with the great B. C. Manjunath.
Later, in Brazil, I encountered other ways of relating to music, land, community and the sacred through folk and animist traditions. Along with my experiences in India, these encounters widened my musical world and deepened more and more my interest in music as something we can enter and experience together in ritual, rather than mere performance.
discovering real magic
Like everybody’s, my path has been deeply shaped by loss, uncertainty and moments when I fell flat on my face and life challenged the very ideas I had built around myself. Again and again, I found that the most meaningful discoveries came not through gaining control, but through learning to let go. Through devotion, vulnerability, humility and service, I began to understand C O N N E C T I O N as something we can really embody, together.
This transformed the way I understand music. And magic.
“I am drawn to the space where individual voices meet and become part of something larger. Where deep listening becomes relationship, entrancing repetition opens into presence, and singing together allows us to feel, however briefly, that we belong to the one living whole.”
music as shared ritual
Now based back in Tenerife, the volcanic land of my ancestors. I compose and perform music that brings together mantra, contemplative voice, handpan, improvisation and contemporary sound. My work moves between ancient vocal traditions and new sonic landscapes, between intimate listening and the collective energy of shared song. Always leaning towards that magical C I R C U L A R I T Y that reminds us in weaving spirals of our essential oneness.
Through concerts, recordings, collaborations, trainings and retreats, I continue to endlessly explore V O I C E as a the meeting point between worlds: the visible and the invisible, the ancient and the contemporary, the personal and the universal, the individual and the collective.
Always a beginner, always still searching, still learning, still listening. The magic I once imagined as something extraordinary has become something much closer and more profound: the possibility of remembering who we are through our connection to one another and to the living world.
This is the inquiry that runs through my music, and the invitation at the heart of it.